I like to create a sense of mystery in each piece. The Q's Pizza sign is one that was seen from a vantage point, and there is an interesting view from a window in this piece.
I've been using different ways of creating new compositions, from using silhouettes, to exploring repetitive patterns and even surrealist backdrops. These explorations have especially been successful for large graphic based pieces, and have lead the way to my mural compositions.
Whats with the lips? I first came to Chicago in the early 90's from Ohio. There were at one time several of these signs, but I recall seeing this sign along the Dan Ryan Expressway and always loving it. While this sign is gone today, it brings back an earlier time, and I love everything about it from the lips, to the Magikist font. The Magikist company was a carpet cleaning service I believe. It still puts a smile on my face, so you'll likely see it again in my work!
Blue Green Magikist. This is one of several new pieces where I am using silhouettes with images and signage references. This methodology has fueled a more iconic and graphic look to my larger works. I am especially using these themes in my mural compositions.
Using the iconography of the city, snippets of signage that represent the fabric and culture of our local cities. The bars, clubs, restaurants are referenced to talk about our past, and conjure our inner nostalgia.
Chicago Trumpet, copyright 2017. As a guitar player, I have always thought of music and painting as similar yet different. Creatively they can be similar in terms of themes, song writing, repetition for example, but are very different in execution and the way the concepts are put together. I especially like the references to Blues and Jazz venues in these works, referencing places with a distinct history in Chicago music.
Future's Past, 5' x 6'. 2017. This piece was created with Grand Rapids in mind as an entry for Art Prize. The signage represents local fast food, bowling etc. vintage neon from the area around Grand Rapids Mi. I've since gone back and changed the coloration of the sky to a teal blue to better direct focus to the figure. There are patterns that are reminiscent of Ed Paschke, whom I have been inspired by lately. This one showed at the B.O.B. during Grand Rapids Art Prize, 2017.
Green Mill, 2018. 38" x 38". I've always loved the Green Mill sign, and all that it represents as a long running club with live Jazz acts.
If you haven't noticed, I've got a bit of a thing for signage. I've been using the parking signage for years originally as a reference to our car culture and had a whole series of parking garages. More and more I'm just using the signage elements as graphic elements, and one other thing to think about when you as a viewer look at a piece. The figures have a relationship to each other and the signage brings another compositional relationship.
Speaking of signage, the piece Sailors Song has quite a few of my new tricks all in one, from the vintage neon signs refereeing the sea, to the teal blue sky with constellations. Chicago Trumpet is a new screen print I've created with Chicago and the music traditions in mind. Lastly, a painting called Park, which was one of a series of Parking Garage compositions.
In the works, Oil on wood panels 4' x 12'.
Somewhere in our lives, the passion and energy of youth has passed us by. I’m populating my latest piece, “When we Ruled the World” with youthful characters as a way of looking back, and perhaps gaining my own middle aged mojo back in the process. I have been enamored with the idea of showing various stages of life, with a specific focus of the freedom and rebellious spirit of youth. The kids are all shown in action, playing without a cell phone in sight. The one jumping into the fountain I think of as myself at an early age, confident as hell and ready for anything. The scene utilizes Bethesda fountain in Central Park as a gathering place and allows for a directional narrative culminating in the fountain. The scene’s panoramic quality allows for multiple vantage points. Adding to this narrative character, the winged angel of the fountain looks down on the action in quiet approval.
Over the past 10 years I’ve returned to these natural landscapes. At first glance these might seem different from my other work. What is true, however, is the compositions are edited to interesting 2d compositions, always carefully paired back to highlight the color and allow for the brush work and painting to be a bit more expressive. The graphic quality of these works are what tie them to my other paintings. Strategic color choices is something that is important as well, I usually use 2 to 3 colors primarily in a piece, usually secondary colors on a color wheel. When you really want an area to be a focal point in a composition, you can alway put 2 complementary colors side by side (purple & yellow, green and red, orange and blue.) They tend to separate visually and draw attention- this is kind of the nuclear option, however, and should be used sparingly!